in my comic, i wanted to convey a very specific and limited range of emotions
i tried to illustrate these without resorting to too much facial contortion, since i was trying to reinforce the repetition among images and didn't want to upset it with m…
'Lunch With Carmella' from American Splendor
by Harvey Pekar and R. Crumb
panel-to-panel: 5
action-to-action: 11
subject-to-subject: 3
scene-to-scene: 10
aspect-to-aspect: 0
non-sequiter: 0
these are the rough notes i wrote out for the presentation, along with the powerpoint file itself
- early on, in the late 80s ware drew cartoons for a number of magazines and serial publications. he drew very large, elaborate spreads, which had a r…
here's this - the middle two pages in my four-page comic, meant to be shown side by side eachother
i opted for a square, gridlike layout, with as little dialogue as i could afford, and i wanted to illustrate a small degree of compositional symmetry
okay here's this!
i had trouble with "optimistic" since i only own comics about depressed people, apparently
i showed the original panels too, for context - i hope that's alright